![]() Comfort of Strangers, despite being Orton’s best record since 1999’s Central Reservation, is probably not going to do a great deal to change this situation. Similarly, her gently soothing beats and drifting lullabies have always been a bit too awkward and restless to get the average Dido buyer parting with their cash at the Tesco checkout. You see, our Beth has never quite been rootsy enough to appeal to the coffee tables and Volvo car stereos of your typical Norah Jones fan. From her corner she will have no doubt watched umpteen less talented female singer-songwriters hit the big time in the last few years, while she herself has consistently failed to make the mainstream sit up and take much notice. You can’t help but feel a bit for Beth Orton and the position she occupies in 2006.
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